Naturally, there are a few conditionals attached: has the story been told adequately, so that the reader doesn’t get lost anywhere along the way? Have the characters justified their existence in the story? Is there a beginning, a middle and an end?
Sometimes, the writer needs to write sufficient words to meet the criteria of a publisher – or even the expectations of their readership. Too short, and they all feel robbed; too long, and there’s the risk of creating a soggy middle that bogs down the reader.
No easy choices.
Can the reader 'see' the scene?
Is there scope for the odd red herring or misdirection?
Is there scope to add a minor sub-plot?
Are all the characters adequately described, doing enough, justifying their existence in the story?
Is there scope for the odd red herring or misdirection?
Is there scope to add a minor sub-plot?
Are all the characters adequately described, doing enough, justifying their existence in the story?
The temptation is to add padding – this temptation should be resisted. Don't go in for padding with dialogue that doesn't move the story forward.
Don't make scenes longer per se; give them more depth, more drama, more description, perhaps.
I’ve discussed this dilemma in an earlier blog, here:
http://nik-writealot.blogspot.com.es/2014/04/writing-tip-its-too-short.html
http://nik-writealot.blogspot.com.es/2014/04/writing-tip-its-too-short.html


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